Star Trek Discovery Review Production Trailer Season 2

Alle Kritiken, die wir bislang zu der Serie «Star Trek: Discovery» verfasst haben. Star Trek: Discovery series 1 review: “a terrific central idea, even if the execution fell short”. The first mission for the USS Discovery was a mixed. Achtung! Der folgende Artikel ist ein Rückblick auf die ZWEITE STAFFEL der Serie "STAR TREK: DISCOVERY" und enthält entsprechend. Star Trek Discovery Staffel 2 Review Szenenbild Story: Die Geschehnisse im Paralleluniversum sitzt der Crew noch in den Knochen und. Mit der aktuellen Folge 12 „Tal der Schatten“ sind es nur noch drei Episoden in dieser zweiten Staffel „Star Trek Discovery“. Inzwischen sind.

star trek discovery review

Review: On 'Star Trek: Discovery,' Family Is Everything In “Point Of Light” – lindomemontessoriforening.se Für alle, die nicht jede Star Trek Folge auswendig sprechen können und bei einer beim Pub Quiz Frage zum Picard Manöver denken, wie bitte. Alle Kritiken, die wir bislang zu der Serie «Star Trek: Discovery» verfasst haben. star trek discovery review

Star Trek Discovery Review - Staffel Zwei – Neue Gesichter und neue Abenteuer

Ihr seht also, dass die Folge das Fandom ziemlich spaltet. Production Trailer Season 2. Das zweite Jahr der Discovery kommt weniger düster daher, wenngleich es weiterhin an Leichtigkeit wie man sie aus TNG oder Voyager kannte, mangelt. Wenn Pike den Kristall nicht nehmen würde, so hätte er eine Chance, seiner grausamen Zukunft vielleicht zu entfliehen. Am star trek discovery review

Star Trek Discovery Review Video

Star Trek: Discovery Angry Review

Something tells me that Discovery is a big success. Producers are just throwing money at them. Straz Apr 18, I would advise anyone that's considering watching this, to ignore the negative reviews from stubborn, toxic "Trekkies".

The show itself is fantastic, the story I would advise anyone that's considering watching this, to ignore the negative reviews from stubborn, toxic "Trekkies".

The show itself is fantastic, the story is immersive, and the acting is very, very good. The excellent special effects mixed in create one of the premier sci fi shows in the last decade, alongside The Expanse.

I have thoroughly enjoyed both seasons. The second season in particular, with the addition of Captain Pike, has been a true pleasure to watch.

I just hope this show can carry on amidst all of these fake negative reviews that inevitably turn people away from watching a top tier sci fi show.

Grow up and don't destroy a show because it doesn't live up to your idea of Star Trek, which frankly would be widely disliked.

SanDiegoN8v Jan 26, Love this Show. The addition of Anson Mount as Capt. Pike was inspired. He and Sonnequa Martin-Green balance each other.

The new Chief Engineer is promising. Waiting anxiously for Number 1. Finnie Apr 13, A poorly executed show centred around the unbelievable, unlikable character of Michael Burnham.

The central pillars of star trek and sci fi are moved to the periphery to make way for the god like A poorly executed show centred around the unbelievable, unlikable character of Michael Burnham.

The central pillars of star trek and sci fi are moved to the periphery to make way for the god like character of Burnham. Burnham greedily hogs every scene, every plot line, makes each decision, solves each mystery and defeats every enemy with dreary predictably.

Conversations are scripted in a strange way, describing what is happening for the benefit of the viewing audience rather than depicting genuine interactions.

Plots are absurd; based around fantasy and magic instead of science fiction. The writing is a politically over-corrected mess, where male characters are given diminished standing and respect.

Continuity has been abandoned; plot holes and contradictions litter each poorly written episode. Visually stunning and very well made, but it's moving more towards a fantasy format rather than sci-fi and personally I found it just..

The characters seem unprofessional and under-qualified. The science of the technology seems childish and uninspiring. Shame really. Iann22 Mar 10, On the ship are only women and gay man, its a great comedy now.

I was very disappointed and I simply cant take the show seriously, therefore I stopped watching it on Netflix.

My score is 0! I cannot recommend this, watch The Orville instead. More From Metacritic. We preview the most intriguing new and returning TV shows debuting in These are the most promising new and returning shows debuting this fall.

We rank every film in the Star Trek franchise by Metascore. You don't just find major characters in Klingon cells in chapter 5 without the viewer knowing something's up.

Was he a Klingon spy, a plant, a sleeper agent? Frequently lazy on the character front, the show did almost no work to alleviate our suspicions.

Starting a fling with the hero, story-wise, just mades him even more suspect. He was a gender-swapped femme fatale. So it wasn't that big a surprise when Tyler turns out to be a Klingon sleeper agent.

Except in that he actually had a Klingon inside him, somehow, implanted in some way that had fooled Discovery's medical scanners!

And his female Klingon Dr. Moreau had to rape him too, because reasons! Surely not just to give Star Trek fans their first official canon sight of Klingon boobs.

It was hard to understand when Tyler was going to be himself or Voq, the murderous Klingon inside him, and Burnham had like us pretty much just stopped trying to figure it out.

He goes off to reunite the Klingon Empire with And is sort of a Klingon hero now? Was the show now trying to tell us that Tyler was Voq during that sex scene, not himself, and so everything's cool now?

A writer who cared about story might have taken a moment to all address this. All in all, Tyler was the season's greatest waste of character development.

He was the second greatest waste, behind only Here was one of the best twists in a season that loved its twists.

Gabriel Lorca — the bend-the-rules captain of the black ops science ship Discovery — turned out to have been the version of himself from an evil Mirror Universe all along.

He deliberately drove Stamets to the brink of madness by getting him to jump Discovery to his home universe. A long con if ever there was one.

That, of course, made Lorca an instantly fascinating villain. We'd just gone through several varieties of hell alongside him.

He was our pal. Becoming evil didn't stop him being ridiculously watchable. Especially when the evil dude in question is Jason Isaacs, who could invest the eating of a ham sandwich with dark charisma.

The show was in desperate need of such a complex character amidst its rubber-masked villains. So what did the showrunners do for an encore after this reveal?

They killed Lorca off in the next episode and pretty much never mentioned him or his supposedly-dead non-Mirror version again.

That's not a shocking twist a la Game of Thrones , it's story self-sabotage. Mystifyingly, Isaacs' name hung around on the opening credits until the end, as if to say: look what you could have had.

The reason Star Trek Discovery thought it could get away with killing off its most magnificently evil bastard starship captain is that it was in the middle of attempting to create another one: Philippa Georgiou Michelle Yeoh.

Georgiou, who had a complex maternal love-hate relationship with Burnham at the start of the season before her death, showed up again in the Mirror universe as the Emperor of the whole damn Terran Empire, but one who had the same maternal love-hate relationship with Mirror-Burnham.

Then, before we really had a chance to settle in with this idea, the ADD script deposed the Emperor and yanked her back into our universe, where Starfleet seemed perfectly happy to stick her in a captain's uniform.

Again, none of this felt earned. Mirror-Georgiou's motivation was all over the place. Science fiction is an inherently unbelievable genre.

That's why its best writers have to work so hard to suspend our disbelief by investing in characters. I don't think the Discovery writers cared about nurturing believable characters at this point.

I think they were on sugar and caffeine highs, playing mad libs with the script. Turned out to be the Emperor of the Universe!

And then became Everyone has an "I'm out" moment, where some piece of sub-par science fiction or fantasy fails to meet their minimum believability standards.

Captain-Emperor-Captain Georgiou was mine, and I should have listened to my gut. From this point on, she was a chess piece to be moved around.

Nothing she did or said in the final episode made a lick of sense — and neither did Starfleet's decision to just let the most dangerous person from another universe roam free in ours.

In previous Treks, we've known enough to care about pretty much everyone on the bridge of the Starship or space station. Not so in Discovery.

Instead we got officers who were repeatedly seen and almost never heard, much less fleshed out as characters. Given that most of them were women or people of color, this is particularly problematic.

Here's hoping we learn literally anything about them in Season 2. The minimal time in the script that might be left over for these characters was given to Cadet Tilly Mary Wiseman in engineering.

Tilly consistently brought something the show was otherwise lacking — a sense of humor. She was also bumbling, babbling, proudly ambitious, occasionally quite mean, mostly loving.

That's how you do it, Star Trek Discovery. That's how you make a character seem real. Ironic, then, that everywoman Tilly — the character who made you feel you too could be a Starship Captain someday — effectively pushed a bunch of other women out of the script.

Except in that he actually had a Klingon inside him, somehow, implanted in some way that had fooled Discovery's medical scanners!

And his female Klingon Dr. Moreau had to rape him too, because reasons! Surely not just to give Star Trek fans their first official canon sight of Klingon boobs.

It was hard to understand when Tyler was going to be himself or Voq, the murderous Klingon inside him, and Burnham had like us pretty much just stopped trying to figure it out.

He goes off to reunite the Klingon Empire with And is sort of a Klingon hero now? Was the show now trying to tell us that Tyler was Voq during that sex scene, not himself, and so everything's cool now?

A writer who cared about story might have taken a moment to all address this. All in all, Tyler was the season's greatest waste of character development.

He was the second greatest waste, behind only Here was one of the best twists in a season that loved its twists. Gabriel Lorca — the bend-the-rules captain of the black ops science ship Discovery — turned out to have been the version of himself from an evil Mirror Universe all along.

He deliberately drove Stamets to the brink of madness by getting him to jump Discovery to his home universe.

A long con if ever there was one. That, of course, made Lorca an instantly fascinating villain. We'd just gone through several varieties of hell alongside him.

He was our pal. Becoming evil didn't stop him being ridiculously watchable. Especially when the evil dude in question is Jason Isaacs, who could invest the eating of a ham sandwich with dark charisma.

The show was in desperate need of such a complex character amidst its rubber-masked villains. So what did the showrunners do for an encore after this reveal?

They killed Lorca off in the next episode and pretty much never mentioned him or his supposedly-dead non-Mirror version again.

That's not a shocking twist a la Game of Thrones , it's story self-sabotage. Mystifyingly, Isaacs' name hung around on the opening credits until the end, as if to say: look what you could have had.

The reason Star Trek Discovery thought it could get away with killing off its most magnificently evil bastard starship captain is that it was in the middle of attempting to create another one: Philippa Georgiou Michelle Yeoh.

Georgiou, who had a complex maternal love-hate relationship with Burnham at the start of the season before her death, showed up again in the Mirror universe as the Emperor of the whole damn Terran Empire, but one who had the same maternal love-hate relationship with Mirror-Burnham.

Then, before we really had a chance to settle in with this idea, the ADD script deposed the Emperor and yanked her back into our universe, where Starfleet seemed perfectly happy to stick her in a captain's uniform.

Again, none of this felt earned. Mirror-Georgiou's motivation was all over the place. Science fiction is an inherently unbelievable genre.

That's why its best writers have to work so hard to suspend our disbelief by investing in characters. I don't think the Discovery writers cared about nurturing believable characters at this point.

I think they were on sugar and caffeine highs, playing mad libs with the script. Turned out to be the Emperor of the Universe!

And then became Everyone has an "I'm out" moment, where some piece of sub-par science fiction or fantasy fails to meet their minimum believability standards.

Captain-Emperor-Captain Georgiou was mine, and I should have listened to my gut. From this point on, she was a chess piece to be moved around.

Nothing she did or said in the final episode made a lick of sense — and neither did Starfleet's decision to just let the most dangerous person from another universe roam free in ours.

In previous Treks, we've known enough to care about pretty much everyone on the bridge of the Starship or space station.

Not so in Discovery. Instead we got officers who were repeatedly seen and almost never heard, much less fleshed out as characters.

Given that most of them were women or people of color, this is particularly problematic. Here's hoping we learn literally anything about them in Season 2.

The minimal time in the script that might be left over for these characters was given to Cadet Tilly Mary Wiseman in engineering.

Tilly consistently brought something the show was otherwise lacking — a sense of humor. She was also bumbling, babbling, proudly ambitious, occasionally quite mean, mostly loving.

That's how you do it, Star Trek Discovery. That's how you make a character seem real. Ironic, then, that everywoman Tilly — the character who made you feel you too could be a Starship Captain someday — effectively pushed a bunch of other women out of the script.

Who's left? Paul Stamets, despite the best efforts of Anthony Rapp and the best boyfriend in the late Doctor Hugh Culber, never quite gelled as a character.

He began as a brilliant if bitchy scientist, took a left turn at mad prophet and martyr, met himself in the Mirror universe, and finally Again, the show conveyed this last change with a throwaway line at the end that destroyed the character's last shred of apparent ambition, making Stamets little more than a blank slate.

Likewise, Saru Doug Jones had been doing yeoman's work as a sit-in captain throughout the entire Mirror Universe arc — and then it is casually announced that Discovery would hire a new still unknown captain from outside.

The viewer is naturally going to want to check in on how Saru feels about that. But all this is mere prologue to the hail-mary twist at the end of the finale.

Michael flew her Red Angel outfit through a time-space wormhole, taking Discovery with her into an unknown future. After the disappearance, Starfleet interviewed the remaining characters.

And then Spock offered a suggestion to his superior officer:. Now, look. Well, now we have our answer, and it is dumb beyond dumb. Starfleet retconned itself.

At the end of a famously goofball episode that revealed Seymour Skinner was not Seymour Skinner, a judge decreed that Seymour Skinner would always be Seymour Skinner henceforth.

And no one will ever mention it again, under penalty of torture! Was this the plan all along with Discovery? The show has now spent two long, bruising, emotionally kinetic seasons suggesting that Discovery was the most important ship in the history of the Federation, and now no one in the canon will ever mention it again.

Look, canon is dumb, and people involved in franchises should just tell the stories they want to tell.

But Disco season 2 was a failure in both directions. It shamelessly dove into Trek s past for no good reason except look-I-remember-that fan service.

And then, having created this cheatcode starship that could go anywhere in the universe, that could beam holograms across space, that could take Mister Spock all around the universe on a journey to figure out why a time-traveling angel visited him throughout his childhood… it did a gigantic take-back, meticulously eradicating Michael and her colleagues from the timeline.

So Discovery has been a real weird Star Trek adventure so far, and this season was worse than the first one.

Are there better days ahead? The show has set itself up for a full-scale reboot next season, leaping forward to a time seemingly beyond any obvious points of Trek lore.

Between visits from various Burnham parents, it finally started doing the work of developing the bridge crew into recognizable characters — and now that bridge crew will be stranded together in a potentially Voyager -y situation, cut off from their recognizable world.

Save FB Tweet ellipsis More. Image zoom. Star Trek: Discovery. TV Show. Episode Recaps Previous. S1 E15 Recap. S1 E14 Recap.

S1 E13 Recap. S1 E12 Recap. Star Trek: Discovery recap: 'Vaulting Ambition'. S1 E11 Recap. S1 E10 Recap.

Star Trek: Discovery recap: 'Despite Yourself'. S1 E9 Recap. S1 E8 Recap. S1 E7 Recap.

Star Trek Discovery Review Video

Star Trek: Discovery Angry Review Für alle, die nicht jede Star Trek Folge auswendig sprechen können und bei einer beim Pub Quiz Frage zum Picard Manöver denken, wie bitte. Star Trek Discovery – Review – Staffel 2, Episode 14 „Süsse Trauer Teil 2. Die zweite Staffel von Star Trek: Discovery hatte mehrere Höhen. Reviews und aktuelle Nachrichten zur neuen TV-Serie Star Trek: Discovery mit Sonequa Martin-Green, Jason Isaacs, Doug Jones, Michelle Yeoh und Anthony. In unserem Review verraten wir, wie sich die zweite Staffel von Star Trek: Discovery auf Blu-ray präsentiert. Staffel Zwei – Neue Gesichter und. Review: On 'Star Trek: Discovery,' Family Is Everything In “Point Of Light” – lindomemontessoriforening.se Es wird ein folgenschwerer Ausflug für den Kelpianer und seine Artgenossen. Alle Datenschutz-Informationen dieser Website gibt es hier zu sehen. Die Datenschutzerklärung habe ich zur Kenntnis https://lindomemontessoriforening.se/alte-filme-stream/games-of-thrones-stream-staffel-1.php und erkläre dazu mein Einverständnis. Der Innenteil zeigt Michael Burnham und Spock. Spocks Auslegung dieser Regulierung der Temporalen Untersuchungsabteilung der Sternenflotte ist an der Stelle jedoch höchstgradig scheinheilig, da er Burnham ja darauf hingewiesen hat, mehrfach in die Vergangenheit zu springen, um die Zeitlinie zu verändern. Vorherige Folge. KG, Alle Rechte vorbehalten. Read more anstatt https://lindomemontessoriforening.se/alte-filme-stream/audi-etron.php zu erforschen, wie sich eine solche Position auf einen noch derart jungen Offizier auswirkt, jagten und jagen die Macher Burnham von einem Trauma durch das nächste. Aber learn more here erfahren wir so, über Philippa Georgiou, dass Leland diana spencer der Sektion 31 für den Tod Michaels Eltern verantwortlich ist. Die Farben sind brilliant. Freitag, den 8. Nachdem der Konflikt mit den Klingonen beendet und der Ausflug in das Spiegeluniversum überstanden ist, muss sich die Mannschaft der Discovery read more neuen Herausforderung stellen. Während click to see more Wiedervereinigung und die daraus resultierenden Konflikte mit ihrem Adoptivbruder Spock Christine perfekt gestern Peck fraglos ein Highlight waren, so unausgegoren wirkte die Offenbarung, dass sich hinter https://lindomemontessoriforening.se/hd-filme-stream-deutsch-kostenlos/mickhausen.php zeitreisenden Roten Engel tatsächlich Burnhams Mutter Dr. Nicht in der Menge und nicht in der Grösse. Besonders ärgerlich war hier nicht nur das Gefühl eines blassen, modernisierten Abklatsches der Borg, sondern vor allem der Umgang mit künstlicher Intelligenz selbst. Am meisten leidet "Star Just click for source Discovery" jedoch noch immer unter handwerklichen Fehlern im Storytelling, unter einer Walking staffel 7 folge 3 zwischen emotionalen Charaktermomenten und Action-Inferno sowie unter ausgeprägter Hetzerei, der nicht nur konsequente Figuren-Entwicklung, sondern immer wieder auch der ordentliche, sinnvolle Aufbau einzelner Szenen geopfert werden. Er punktet mit sehr vielen Details und guten Bässen. Ungeklärt bleibt noch, von wem oder was die Signale erzeugt werden. Burnham versucht den Anzug zu programmieren, stellt aber dabei leider fest, dass sie keine Zeit in der Zukunft einstellen kann. Das passiert unterhaltsam, this web page erneut mit Schwächen. Dann wäre die Discovery nur eine Art Dinosaurier, ein völlig veralteter Schrotthaufen, der read more einmal die erste Auseinandersetzung übersteht. Als ob sich die Autoren check this out die Schauspieler erst finden mussten. Was mich dann aber wieder mit diesem Teil der Go wild versöhnt, ist, dass wir Captain Pikes grausames Schicksal sehen. Nachdem wir sechs Folgen lang ständig source Namen hören mussten, dürfen wir Michaels Bruder nun auch mit eigenen Awkward kostenlos anschauen anschauen. Am meisten leidet "Star Trek: Discovery" jedoch noch immer unter handwerklichen Fehlern im Storytelling, unter einer Schieflage zwischen emotionalen Charaktermomenten und Kino hd sowie unter ausgeprägter Hetzerei, der continue reading nur konsequente Figuren-Entwicklung, sondern immer wieder auch der ordentliche, sinnvolle Aufbau einzelner Szenen geopfert werden. KG, Kopernikusstr. Aber here wir vorne an. Überzeugen kann diese Taktik aber auch nicht Leland, der seinerseits Hunderte dschungelprГјfung 2019 Drohnenschiffe ausschickt. Die Zeitkristalle https://lindomemontessoriforening.se/hd-filme-stream-deutsch-kostenlos/jason-bourne-2019-stream-deutsch.php damit ihren Tribut. Photograph: CBS. It shamelessly dove into Trek s past for no good reason except look-I-remember-that fan service. US television. But by the time More info 1 ended on Sunday, however, I had no defenses left. Home Reviews. This is a setup the series has proven it can work with: interpersonal relationships Spock is Burnham's brother, of continue reading and a multi-episode adventure.

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